[identity profile] glass-houses.livejournal.com posting in [community profile] vintageads


I love their facial expressions. Their emotions are captured beautifully.

Date: 2011-05-03 06:00 pm (UTC)
From: [identity profile] charlotterhys.livejournal.com
I wouldn't say it's necessarily that beautiful, but Yes for that man's suspicious eyebrows. They crack me up.

Date: 2011-05-04 12:10 am (UTC)
From: [identity profile] cionaudha.livejournal.com
Wow. That looks nothing like Fairbanks!

Awesome though: love his pinkie ring and her scarf.

Here's the low-down on Jobyna Ralston (http://en.wikipedia.org/wiki/Jobyna_Ralston), with a filmography that includes such classics as Are Parents Pickles?

Date: 2011-05-06 10:57 am (UTC)
From: [identity profile] ejia-arath03.livejournal.com
Power is culturally significant, but Are Parents Pickles? isn't? I am aghast!

Date: 2011-05-06 04:58 pm (UTC)
From: [identity profile] cionaudha.livejournal.com
Are Parents Pickles? speaks to humanity across the ages, I should think.

Love the icon, by the bye. You are obviously a person of great quality.

Date: 2011-05-04 04:04 am (UTC)
From: [identity profile] tresjolie9.livejournal.com
Ah, inspired me to Google the film



Not that bad for a silent film, actually kind of interesting, right now on part 5 of 7!

Date: 2011-05-06 04:56 pm (UTC)
From: [identity profile] cionaudha.livejournal.com
Oh, cool! I'm going to watch this, thanks!

YES

Date: 2011-05-04 07:39 am (UTC)
From: [identity profile] cactuswren.livejournal.com
Absolutely beautiful. Although for some reason I keep thinking he must be saying, "Do you mind, I am using this telephone."

BTW, according to Wikipedia's entry for The Power of the Press:
In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Date: 2011-05-04 11:16 am (UTC)
From: [identity profile] seamonkey-mags.livejournal.com
He looks pissed. EXCUSE ME, I'm TALKING!

Date: 2011-05-04 05:38 pm (UTC)
From: [identity profile] vp19.livejournal.com
In 1928, Columbia was a long way off from its glory days and was little more than a Poverty Row outfit. Heck, this was probably among the first features Frank Capra directed after leaving Mack Sennett's employ.

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