An advertising campaign is forever
Jan. 3rd, 2011 03:07 amThis is the earliest "A Diamond Is Forever" ad I've been able to locate so far:

(Life, December 1950. The painting, interestingly, is by the artist who designed the sets for Carl Th. Dreyer's silent masterpiece, The Passion of Joan of Arc.)
A bit over a year later, Raoul Dufy was the artist, but a diamond was still forever:

(Life, January 1952)
Another year and a half, and forever goes on:

(Life, July 1953.)
That autumn, a diamond was still forever but Salvador Dali apparently needed a paycheck:

(Life, November 1953.)
And in 1957, the campaign has apparently outlived the fame of Herbert Saslow, whoever he is:

(Life, July 1957)
What interests me is the intent behind these ads. The De Beers cartel began the "A Diamond is Forever" campaign in 1947, with the specific intent of destroying the after-market for diamonds. They didn't want diamonds to be a financial investment: they wanted to maintain a monopoly, to be the sole source for diamonds. As they in fact remained for many decades. They used this campaign to establish in the public consciousness that a diamond wasn't money: a diamond was emotion, was commitment. You'll notice this recurring element in all these ads: you're not just buying a diamond, this is your diamond. That's why your diamond has to be bought from a jeweler representing De Beers. It can't be an after-market diamond, a pawned diamond, a re-sold diamond, a used diamond. "A diamond is forever" -- and you don't want your marriage represented by someone else's used, pawned, re-sold "forever," do you?
(I sometimes wonder whether that awful old country-western song "Golden Ring" wasn't commissioned by De Beers.)

(Life, December 1950. The painting, interestingly, is by the artist who designed the sets for Carl Th. Dreyer's silent masterpiece, The Passion of Joan of Arc.)
A bit over a year later, Raoul Dufy was the artist, but a diamond was still forever:

(Life, January 1952)
Another year and a half, and forever goes on:

(Life, July 1953.)
That autumn, a diamond was still forever but Salvador Dali apparently needed a paycheck:

(Life, November 1953.)
And in 1957, the campaign has apparently outlived the fame of Herbert Saslow, whoever he is:

(Life, July 1957)
What interests me is the intent behind these ads. The De Beers cartel began the "A Diamond is Forever" campaign in 1947, with the specific intent of destroying the after-market for diamonds. They didn't want diamonds to be a financial investment: they wanted to maintain a monopoly, to be the sole source for diamonds. As they in fact remained for many decades. They used this campaign to establish in the public consciousness that a diamond wasn't money: a diamond was emotion, was commitment. You'll notice this recurring element in all these ads: you're not just buying a diamond, this is your diamond. That's why your diamond has to be bought from a jeweler representing De Beers. It can't be an after-market diamond, a pawned diamond, a re-sold diamond, a used diamond. "A diamond is forever" -- and you don't want your marriage represented by someone else's used, pawned, re-sold "forever," do you?
(I sometimes wonder whether that awful old country-western song "Golden Ring" wasn't commissioned by De Beers.)
no subject
Date: 2011-01-03 01:49 pm (UTC)no subject
Date: 2011-01-03 01:50 pm (UTC)no subject
Date: 2011-01-03 06:20 pm (UTC)But then, I didn't want a diamond ring, either, mostly because of the ugly politics. Not only are most diamonds mined in third-world conditions approaching slave labor, they are marketed in a way that suggests that women require men to prove their love with expensive gifts, and men can display their wealth on the hands of their wives. That's all in addition to the way that De Beers has been artificially inflating the costs of diamond jewelry for decades, and continues to create new "needs" for diamonds.
Once I subtract myself from the picture, though, I can really admire their marketing savvy. One brilliant product they created in the 1960s was the Eternity Ring (http://en.wikipedia.org/wiki/Eternity_ring), a band with small diamonds set all the way around. This was a clever way to use the smaller diamonds that had recently been found in abundance in what was then the Soviet Union. So the cartel invented a "tradition" of giving this new type of diamond ring, whose unending circle of jewels is seed to represent endless commitment throughout time, to commemorate an anniversary and get people to buy even more diamonds. Pretty clever.
no subject
Date: 2011-01-03 08:06 pm (UTC)Way to put on the pressure.
no subject
Date: 2011-01-04 06:15 am (UTC)no subject
Date: 2011-01-03 07:44 pm (UTC)so remember, sweethearts, nothing says "i love you" like the gift of pencil lead.
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Date: 2011-01-04 04:03 am (UTC)http://www.theatlantic.com/magazine/archive/1982/02/have-you-ever-tried-to-sell-a-diamond/4575/1/
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Date: 2011-01-04 07:11 pm (UTC)no subject
Date: 2011-01-04 06:11 am (UTC)no subject
Date: 2011-01-04 02:44 pm (UTC)If I read too much of that crap I'd be convinced that I'd have to off myself if (1) nobody ever gave me a diamond or (2) I lost my diamond or (3) I got divorced. Any of those events would NULLIFY MY WHOLE LIFE. Gawd.
no subject
Date: 2011-01-04 07:22 pm (UTC)(And yes, the arc ended with a strip captioned, "Mommy, I just took something shiny out of PJ's mouth and it's your diamond!" Which is intriguingly symbolic in itself, although I doubt Keane intended to suggest that his characters' marriage was being devoured by their children.)
no subject
Date: 2011-01-04 07:29 pm (UTC)This is one of the reasons I don't ever want expensive jewelry, diamonds or otherwise - I don't want the responsibility of loss or damage. A diversified investment portfolio, on the other hand, is a girl's best friend.